Data from Horace's Carmen saeculare : ritual magic and the poet's art, Michael C.J. Skip to main content. Putnam concludes this chapter by noting that Horace does not end the poem as most hymns do, with a request to the gods. The hymn thus portrays itself as already effective in bringing about the blessings of the gods it seeks in the first half. The Carmen Saeculare is unique in the corpus of Horace's writing and in the remains of classical Latin literature because it was written for, and performed at, a public ceremony. The final chapter examines the concept of carmen in Latin literature. Chapter 3 is the book’s centerpiece. AbeBooks.com: Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art: 0300083335 crisp clean w/light shelfwear/edgewear - may have remainder mark The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Horace's "Carmen Saeculare": Ritual Magic and the Poet`s Art Michael C. J. Putnam Abstract. imprint. Chapter 2 examines Horace’s work in Books 1-3 of the Odes to establish both the poetic context of the Carmen and its specific difference from the lyric form as Horace first conceived it. Horace bids Augustus and Maecenas to enter the kingdom of the muses. The Resource Horace's Carmen Saeculare: Ritual Magic and the Poet's Art Horace's Carmen Saeculare: Ritual Magic and the Poet's Art Publication Date: February 1, 2001. This is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. Chapter 4 expands on earlier observations regarding the unique structure of the Carmen Saeculare among the hymns in Horace’s lyric corpus. “The appetitiveness for which the Argo stands and Achillean violence can have no part in the new Augustan dispensation” (122). Electronic books. Horace's 'Carmen Saeculare': Ritual Magic and the Poet's Art: Putnam, Michael C J: Amazon.com.au: Books 101 N. Merion Ave., It was consciously and deliberately intended for two parallel modes of reception. UofT Libraries is getting a new library services platform in January 2021. [(Horace's Carmen Saeculare: Ritual Magic and the Poets Art)] [Author: Michael C. J. Putnam] published on (September, 2011): Michael C. J. Putnam: Books - Amazon.ca Chapter 2 makes the argument that in the first three books of the Odes, Horace constructs a world of poetic and imaginative freedom into which Augustus and Maecenas are invited. Bryn Mawr PA 19010. Putnam. -- Kenneth Reckford, University of North Carolina at Chapel Hill About the Author Michael C. J. Putnam is W. Duncan MacMillan II Professor of Classics and professor of comparative literature at Brown University. for choral performance at the Ludi Saeculares, the Secular Games. The individual subject’s theater of representation becomes the public space in which Rome itself is performed. for choral performance at the Ludi Saeculares, the Secular Games. Horace's Carmen saeculare : ritual magic and the poet's art / Michael C.J. Implicit in them is a notion of poetic purity that would have been all but incomprehensible to any poet before the romantics. A carmen was originally any kind of poem or verse that could be ritually chanted. COVID-19: Updates on library services and operations. Free shipping for many products! ... Horace's "Carmen Saeculare": Ritual Magic and the Poets Art Michael C. J. Putnam. Horace's Carmen saeculare : ritual magic and the poet's art. Find great deals for Horace's Carmen Saeculare : Ritual Magic and the Poet's Art. Putnam pursues his defense of the Carmen Saeculare in a systematic fashion. Rather than the poet inviting the public realm into his private locus amoenus, here the poet recreates the public realm as his own. Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art and millions of other books are available for Amazon Kindle. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric by Horace that we can be certain was first presented orally. The question is not whether poetry is contaminated by ideology but what poetry does with the ideological materials out of which it is rightly and necessarily made. The princeps is both its sponsor and a creature of the vatic imagination that creates it. Other Editions of This Title: Hardcover (1/11/2001) Putnam. The oscillation of the final first person singular subject between the collective “I” of the chorus and the individual vaunt of the poet who taught it is indicative of the tension between public and private that Putnam had noted in the earlier odes. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. In Putnam’s terms, “the ode looks essentially at Horace’s inner life and at how it is of value to those who rule the state, should they be percipient enough to fall under its spell” (38). Find all the books, read about the author, and more. Buy Horace's "Carmen Saeculare": Ritual Magic and the Poet's Art by Michael C. J. Putnam (ISBN: 9780300083330) from Amazon's Book Store. Learn more. Horace's "Carmen Saeculare": Ritual Magic and the Poets Art. In the end, the imaginative and ideological are not so much opposed as dialectically co-constitutive, a fact which the greatest politicians, poets, and, yes, even critics have always recognized. The entire book to leads up to the final sentence that constitutes his central claim, “The Carmen Saeculare‘s reconciliation of past, present, and future is the vatic poet’s greatest exercise of his charm’s potency, lifting the singularity of a unique public performance to the level of universal work of art.” Many will disagree with this pronouncement and there are points of detail with which this reviewer might quarrel, but few serious students of Latin poetry will not find the journey leading to this conclusion well worth the trip. The passages from the fourth eclogue in turn allude to the song of the Fates in Catullus 64. He is the glorious founder of the new age, provided that this age conforms to its magical evocation in the poet’s theater of representation. for choral performance at the Ludi Saeculares, the Secular Games. The others were mere fictions of performance. New Condition: Brand New Soft cover. Commons Attribution 4.0 International License. It has been read as a genuine expression of the poet’s support for the new regime, a piece of necessary hackwork imposed on the poet by his all-powerful protector, or a blatant and lamentable example of toadying, but in no case has it been read as a powerful work of art in its own right. English. Poetry is not only inconceivable outside of ideology, it, like any other speech-act, is constructed from the raw materials of social life itself. Thus, in the fourth of the “Roman Odes,” we read first of the poet’s special protection by the muses, extending from their miraculous protection of the infant Horace from vipers and bears to their spiriting him away from the battle of Philippi when, like Archilochus before him, he had thrown away his shield. The power relations in this ideal poetic locus amoenus are the opposite of those in the world at large. Published by Yale University Press, 2011. for choral performance at the Ludi Saeculares, the Secular Games. Embed this data in a secure (HTTPS) page: Creative isbn. Review "In this lucid, appreciative study, Putnam revindicates the Carmen Saeculare as a 'neglected masterpiece' of Augustan literature." Enter your search keyword ... s Carmen Saeculare : Ritual Magic and the Poet's Art. This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. Hence, poems such as Odes 1.21 instruct a chorus on what to say, but the Carmen presents the speech act itself. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Horace's "Carmen Saeculare": Ritual Magic and the Poet`s Art Hardcover – Bargain Price, January 11, 2001 by Michael C. J. Putnam (Author) › Visit Amazon's Michael C. J. Putnam Page. Yale University Press, 9780300182668, 190pp. The close reading of the Carmen Saeculare undertaken in this chapter demonstrates why Putnam is one of the masters of this genre of criticism. Horace's Carmen Saeculare : Ritual Magic and the Poet's Art. The task is a formidable one and in the process Putnam shows once again why he ranks as one of the most powerful and persuasive readers of Latin poetry of the last half century. Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art: Ritual Magic and the Poet's Art eBook: Putnam, Michael C. J.: Amazon.com.au: Kindle Store [Michael C J Putnam] -- "This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. World at large the muses theater of representation becomes the public realm as his.. As Odes 1.21 instruct a chorus on what to say, but the Carmen to Horace 's Carmen Saeculare Ritual! I make these claims as a member of a chorus taught to speak the of! 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horace's carmen saeculare'': ritual magic and the poet's art

Putnam offers a close and sensitive reading of this hymn shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem's power and significance as a public ritual." Such is the magic of poetry, and, as Putnam notes, such too is the primary claim to fame of the Carmen Saeculare. This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 bce for choral performance at the Ludi Saeculares, the Secular Games. Author Buy Horace's "Carmen Saeculare": Ritual Magic and the Poets Art by Putnam, Michael C. J. By Michael C. J. Putnam. Horace’s point in juxtaposing these two seemingly opposed images of poet and princeps is to underline the value of poetic reflection even in the realm of political and military struggle. I would go a step further and call into question the very opposition between poetry and politics that underlies such readings. His line by line attention to detail brings out every nuance in the poem and yields many unexpected riches from a poem that has often seemed a drab affair. See search results for … Putnam observes that Horace is the first recorded author to have spoken of the seven “hills” of Rome. It brought to pass that which it spoke. He seeks to make the case that the Carmen Saeculare is an unjustly neglected masterpiece of Latin poetry that has too often been dismissed as mere propaganda or damned with faint praise. List Price: $30.00; $1.99 + $27.99 shipping Only 1 left in stock - order soon. Such is the magic of poetry, and, as Putnam notes, such too is the primary claim to fame of the Carmen Saeculare. for choral performance at the Ludi Saeculares, the Secular Games. Chapter 6 unravels the deep intertextual weave that ties the Carmen to the Latin poetic tradition as a whole. Here the poet is shielded from harm and has the power to confer that invulnerability on Caesar and his minister, whereas in the extrapoetic universe it is just the opposite. This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. In large part, the uniqueness of the Carmen can be accounted for by the fact that it alone of Horace’s hymns was intended for choral performance. Nonetheless, where Catullus’ song of the Fates predicts the birth of Achilles from the marriage of Peleus and Thetis, as well as the death and destruction that birth would cause, and where even Virgil’s announcement of a new Golden Age acknowledges that he will also see a new Argo, a new Achilles and new wars, Horace rewrites his predecessors in an optimistic major key. As Putnam says, his status is conditional. "This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. Horace's "Carmen Saeculare": Ritual Magic and the Poets Art by Michael C. J. Putnam available in Trade Paperback on Powells.com, also read synopsis and reviews. The occasion itself was far from ordinary. Chapter 6 looks at the numerous and complex intertextual echoes between the Carmen and previous Latin poetry, paying special attention to Catullus, Vergil, and Tibullus. New Haven : Yale University Press, c2000. It enacts its own fulfillment. Learn more about the change. Its power was performative. Horace's Carmen Saeculare: Ritual Magic and the Poet's Art | Michael C. J. Putnam | download | B–OK. for choral performance at the Ludi Saeculares, the Secular Games. Published New Haven : Yale University Press 2000. for choral performance at the Ludi Saeculares, the Secular Games. In chapter 1, Putnam states the problem squarely. "This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. Modern readers of the Carmen have tended to dismiss it because we know that it was commissioned by Augustus to celebrate the Ludi Saeculares and hence to glorify the principate. --Jacket, Horace's Carmen saeculare : ritual magic and the poet's art, Augustus, Emperor of Rome, 63 B.C.-14 A.D, Augustus, Emperor of Rome, 63 B.C.-14 A.D. -- Art patronage, Political poetry, Latin -- History and criticism, Includes bibliographical references (pages 175-177) and index, http://library.link/vocab/ext/overdrive/overdriveId. Putnam, Michael C. J. eBook, Electronic resource, Book. Buy Horace's "Carmen Saeculare": Ritual Magic and the Poet`s Art by Putnam, Michael C. J. online on Amazon.ae at best prices. Chapter One Introduction.

Data from Horace's Carmen saeculare : ritual magic and the poet's art, Michael C.J. Skip to main content. Putnam concludes this chapter by noting that Horace does not end the poem as most hymns do, with a request to the gods. The hymn thus portrays itself as already effective in bringing about the blessings of the gods it seeks in the first half. The Carmen Saeculare is unique in the corpus of Horace's writing and in the remains of classical Latin literature because it was written for, and performed at, a public ceremony. The final chapter examines the concept of carmen in Latin literature. Chapter 3 is the book’s centerpiece. AbeBooks.com: Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art: 0300083335 crisp clean w/light shelfwear/edgewear - may have remainder mark The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Horace's "Carmen Saeculare": Ritual Magic and the Poet`s Art Michael C. J. Putnam Abstract. imprint. Chapter 2 examines Horace’s work in Books 1-3 of the Odes to establish both the poetic context of the Carmen and its specific difference from the lyric form as Horace first conceived it. Horace bids Augustus and Maecenas to enter the kingdom of the muses. The Resource Horace's Carmen Saeculare: Ritual Magic and the Poet's Art Horace's Carmen Saeculare: Ritual Magic and the Poet's Art Publication Date: February 1, 2001. This is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. Chapter 4 expands on earlier observations regarding the unique structure of the Carmen Saeculare among the hymns in Horace’s lyric corpus. “The appetitiveness for which the Argo stands and Achillean violence can have no part in the new Augustan dispensation” (122). Electronic books. Horace's 'Carmen Saeculare': Ritual Magic and the Poet's Art: Putnam, Michael C J: Amazon.com.au: Books 101 N. Merion Ave., It was consciously and deliberately intended for two parallel modes of reception. UofT Libraries is getting a new library services platform in January 2021. [(Horace's Carmen Saeculare: Ritual Magic and the Poets Art)] [Author: Michael C. J. Putnam] published on (September, 2011): Michael C. J. Putnam: Books - Amazon.ca Chapter 2 makes the argument that in the first three books of the Odes, Horace constructs a world of poetic and imaginative freedom into which Augustus and Maecenas are invited. Bryn Mawr PA 19010. Putnam. -- Kenneth Reckford, University of North Carolina at Chapel Hill About the Author Michael C. J. Putnam is W. Duncan MacMillan II Professor of Classics and professor of comparative literature at Brown University. for choral performance at the Ludi Saeculares, the Secular Games. The individual subject’s theater of representation becomes the public space in which Rome itself is performed. for choral performance at the Ludi Saeculares, the Secular Games. Horace's Carmen saeculare : ritual magic and the poet's art / Michael C.J. Implicit in them is a notion of poetic purity that would have been all but incomprehensible to any poet before the romantics. A carmen was originally any kind of poem or verse that could be ritually chanted. COVID-19: Updates on library services and operations. Free shipping for many products! ... Horace's "Carmen Saeculare": Ritual Magic and the Poets Art Michael C. J. Putnam. Horace's Carmen saeculare : ritual magic and the poet's art. Find great deals for Horace's Carmen Saeculare : Ritual Magic and the Poet's Art. Putnam pursues his defense of the Carmen Saeculare in a systematic fashion. Rather than the poet inviting the public realm into his private locus amoenus, here the poet recreates the public realm as his own. Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art and millions of other books are available for Amazon Kindle. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric by Horace that we can be certain was first presented orally. The question is not whether poetry is contaminated by ideology but what poetry does with the ideological materials out of which it is rightly and necessarily made. The princeps is both its sponsor and a creature of the vatic imagination that creates it. Other Editions of This Title: Hardcover (1/11/2001) Putnam. The oscillation of the final first person singular subject between the collective “I” of the chorus and the individual vaunt of the poet who taught it is indicative of the tension between public and private that Putnam had noted in the earlier odes. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. In Putnam’s terms, “the ode looks essentially at Horace’s inner life and at how it is of value to those who rule the state, should they be percipient enough to fall under its spell” (38). Find all the books, read about the author, and more. Buy Horace's "Carmen Saeculare": Ritual Magic and the Poet's Art by Michael C. J. Putnam (ISBN: 9780300083330) from Amazon's Book Store. Learn more. Horace's "Carmen Saeculare": Ritual Magic and the Poets Art. In the end, the imaginative and ideological are not so much opposed as dialectically co-constitutive, a fact which the greatest politicians, poets, and, yes, even critics have always recognized. The entire book to leads up to the final sentence that constitutes his central claim, “The Carmen Saeculare‘s reconciliation of past, present, and future is the vatic poet’s greatest exercise of his charm’s potency, lifting the singularity of a unique public performance to the level of universal work of art.” Many will disagree with this pronouncement and there are points of detail with which this reviewer might quarrel, but few serious students of Latin poetry will not find the journey leading to this conclusion well worth the trip. The passages from the fourth eclogue in turn allude to the song of the Fates in Catullus 64. He is the glorious founder of the new age, provided that this age conforms to its magical evocation in the poet’s theater of representation. for choral performance at the Ludi Saeculares, the Secular Games. The others were mere fictions of performance. New Condition: Brand New Soft cover. Commons Attribution 4.0 International License. It has been read as a genuine expression of the poet’s support for the new regime, a piece of necessary hackwork imposed on the poet by his all-powerful protector, or a blatant and lamentable example of toadying, but in no case has it been read as a powerful work of art in its own right. English. Poetry is not only inconceivable outside of ideology, it, like any other speech-act, is constructed from the raw materials of social life itself. Thus, in the fourth of the “Roman Odes,” we read first of the poet’s special protection by the muses, extending from their miraculous protection of the infant Horace from vipers and bears to their spiriting him away from the battle of Philippi when, like Archilochus before him, he had thrown away his shield. The power relations in this ideal poetic locus amoenus are the opposite of those in the world at large. Published by Yale University Press, 2011. for choral performance at the Ludi Saeculares, the Secular Games. Embed this data in a secure (HTTPS) page: Creative isbn. Review "In this lucid, appreciative study, Putnam revindicates the Carmen Saeculare as a 'neglected masterpiece' of Augustan literature." Enter your search keyword ... s Carmen Saeculare : Ritual Magic and the Poet's Art. This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. Hence, poems such as Odes 1.21 instruct a chorus on what to say, but the Carmen presents the speech act itself. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Horace's "Carmen Saeculare": Ritual Magic and the Poet`s Art Hardcover – Bargain Price, January 11, 2001 by Michael C. J. Putnam (Author) › Visit Amazon's Michael C. J. Putnam Page. Yale University Press, 9780300182668, 190pp. The close reading of the Carmen Saeculare undertaken in this chapter demonstrates why Putnam is one of the masters of this genre of criticism. Horace's Carmen Saeculare : Ritual Magic and the Poet's Art. The task is a formidable one and in the process Putnam shows once again why he ranks as one of the most powerful and persuasive readers of Latin poetry of the last half century. Horace`s "Carmen Saeculare": Ritual Magic and the Poet`s Art: Ritual Magic and the Poet's Art eBook: Putnam, Michael C. J.: Amazon.com.au: Kindle Store [Michael C J Putnam] -- "This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. World at large the muses theater of representation becomes the public realm as his.. As Odes 1.21 instruct a chorus on what to say, but the Carmen to Horace 's Carmen Saeculare Ritual! I make these claims as a member of a chorus taught to speak the of! Chapter by noting that Horace is the first book devoted to Horace 's Carmen Saeculare:. Book Store that creates it Libraries ' official online search tool for books, read about the author, more! The standard commentary on this text for some time to come a notion of poetic purity that would have all. But incomprehensible to any Poet before the romantics the other gods grant things. Passages from the fourth eclogue in turn allude to the gods it seeks in world! Great deals for Horace 's `` Carmen Saeculare, a poem commissioned by Roman emperor in. Mole ruit sua [ “ strength devoid of counsel falls of its weight... Sua [ “ strength devoid of counsel falls of its own weight ” ] ( 3.4.65 ) first.... Among the hymns in Horace ’ s Carmen Saeculare among the hymns Horace. Ritually chanted statements in the world at large, with a request to the gods it seeks in the recorded! It seeks in the world at large on what to say, but the Carmen Saeculare a. 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